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Darkness At Bamiyan
A Summit at Jungfraujoch
Modern Traumas
Two Clipped Wings
The Fires At Perahera




























The works of Amol Titus are registered under provisions of the UK Copyright Service.
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Such insularity leads to denial of one of the great gifts of our planetary existence – diversity. In “Rites of Tribal Extinction” the author laments the plight of ancient tribes –

“Haven’t you seen the chase?
Into the shackles of subjugation
By modern hunter-gatherers

Extending their territoriality
Flexing economic machismo
Reach of their converting zeal

To the Bhils, Santhals, Todas
The Samburu, Maasai, Nuba
Yanomami, Xinghs, Mehinacus

Urue-Wau-Wau, Assinibione
Sumbanese, Wana, Dani, Batak
Asmat, Dei, Simbu, Kuikoro


All hemmed and pushed
Into the dusk of extinction
Cannibalized by fellow men”


Equally tragic is the seemingly unchecked assault on the biodiversity of Nature. In “Rape of the Rainforest” he evokes the state of abuse –

“She lies wasted, her spirit broken
Her confidence bulldozed into submission
At the mercy of whimsical concessions
Reduced to clumps, tending stumps

Her million offspring rudely scattered
Her zillion possibilities crudely revoked
Gasping for death in hopeless isolations
Their present hunted, future stunted”


A future that is also appears stunted due to what Amol Titus calls “the violent gene” –

“Propensity to spew off the boil
Let loose in unthinking instants
Uncontrollable lavas of anger
A readily ignited edginess”


Another trauma he explores is the devaluation of creativity in a world of fakes and intellectual copyright piracy from software to medicines to designer labels to foodstuffs to writing. In “Faked Realities” he deplores-

“The sacrifice of authenticities
For good of the modern construct
Thriving on copycat lifestyles

Hoarding on the quick and cheap
Easy flicking, tempted nicking
Cut and paste, downloads on tap”


In “Nuclear Descents” he worries –

“Where is the finish line of this frenzied race?
In the mirage of a canceling deterrence
Or the eventual nadir of nuclear descents
A nuclear epitaph to ancient civilizations”


In its scope, style and treatment Modern Traumas is an important collection of modern verse. The author’s living experiences in India and Indonesia give it the added poignancy of a third world perspective. Black and white ink sketches enhance the impact of the poetry including two fascinating sketches of Aung San Suu Kyi and Nelson Mandela.

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